![]() ![]() Pink Cream 69 Sonic Dynamite Rar Plus That Of ![]() Tracks 1 Lila 2 The Music Scene 3 Sorry For Yourself 4 Glass Chandelier 5 Tomorrows Girl 6 Suzie Cryin 7 Mr Clock 8 Gone To Pot 9 No Retreat 10 Too Many Heartbreaks 11 When I Get Home 12 Super Market bonus cd tracks 13 The War 14 Yes, I Love You 15 Run Baby Run Fapardokly were Merrell Fankhauser guitar, Bill Dodd lead guitar, John Oliver bass, and Dick Lee drums. ![]() Quite enjoyable all through as long as you dont expect Lemurian hippie psych magic.Ī retrospective Merrell the Exiles LP titled The Early Years 1964-67 exists on the American Sound label with the same lineup as the Fapardokly LP and collects earlier tracks. Merrells talent is on clear display even at this early stage, with each track being a finely tuned and completely realized pop song.įave tracks include the dreamy opener Lila and the inspiredly weird Mr Clock. Pretty classy stuff with traces of the Byrds and Beatles but also obvious remnants of an earlier, pre-Invasion pop era of Buddy Holly and the Everly Brothers. This is mid-60s popfolkrock rather than the psych dealers might it hype it for the hazy Gone To Pot excluded. (.and get their first studio album HERE.) Posted by fuzztunnel at 10292007 07:32:00 PM 3 comments Links to this post Labels: fuzztunnel, K Fapardokly - 1966 - Fapardokly A legendary LP, both for its (supposed) rarity and the appearance of future Mu-wizard Merrell Fankhauser. This album (track 1 much more so than track 2) suffers from stereotypical live sound- not the wonderful lo-fi ness of the PSFSquealer High Rise Live album, but rather just frustratingly nonoptimal mixing and EQing.īut what are you going to do Its still quality electric mayhem, punctuated by passionate, baffling, anarchic invocations. Ochs offers no satisfying resolution the goals cannot be compromised, and they will not be fulfilled. Kennedy, it concerns the emergence of a hero in a corrupt world and his inevitable downfall through betrayal. The album was consistently imbued with images of mortality, and it all came together on the abstract, electronic-tinged final track, The Crucifixion. His social criticisms here were complex, and they went largely unnoticed on a long album full of long songs, many of which did not support the literal interpretations they nevertheless received. Though the lyrics were usually not directly political, they continued to reflect his established points of view. The result was Pleasures of the Harbor, his most musically varied and ambitious album, one routinely cited as his greatest accomplishment. ![]() Peppers vast expansion of pop music, Ochs wanted to make a record that reflected all these trends, and he hired producer Larry Marks, arranger Ian Freebairn-Smith, and pianist Lincoln Mayorga all of whom had classical backgrounds to help him realize his vision. Pink Cream 69 Sonic Dynamite Rar Plus That Of. ![]()
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